![]() If you hear buzz or noise, understand what your chain is, and make sure, before you hit record, that everything sounds the way it should. But you can’t get to that unless you’re in control of what you’re doing.” 6. Don’t be afraid to break the rules, once you know and respect the fundamentals, because breaking rules is where the cool stuff happens. “Be creative and always be ready to change something. I’m not going to deny that it does get crazy, but we try to put the least amount of things on it, because we want a pure sound.” “It’s about the purity of the sound, and getting the correct sound before the microphone even gets set up. We rarely use compression we compress in the mix. We only use EQ if we feel like we’re missing something. “When I record Steve Vai, we use a mic pre and microphones. ![]() “When you add things one by one, you can hear if it’s getting better or worse, and that way, also, if there is a problem, you have an easier way of troubleshooting it. If you start with everything in your chain, you don’t hear what it sounds like without it. “A lot of people like to start throwing mic pres, compressors, EQs, and all kinds of junk in the chain, but you need to start one by one and only add things if it’s needed, because you really hear the degradation. When you add things one by one, you can hear if it’s getting better or worse, and that way, also, if there is a problem, you have an easier way of troubleshooting it Don’t add anything unless you’re unable to get the sound you’re looking for and you can’t change it on the amp or guitar or pedal. A microphone into a good mic pre into the computer, or tape machine, or whatever you’re recording to. “Start with the minimal amount in your signal chain. I’m always listening for what the music calls for, because there’s never a one-stop shop for the signal chain.” 4. What does the music want? I might put a certain microphone on a guitar amp most of the time, but sometimes it might not cut through the track, so I have to change the mic or change the amp sound. Once you have those, and they sound good to your ear and in the room, then you’ve got to know how to pick a microphone and understand what a dynamic microphone will sound like, or a condenser, or a ribbon, and decide whether you want to use several microphones or just one.” 3. Choose the recording equipment the same way that you choose a guitar, amp, or pedal. So that’s first, although a lot of people ignore that or don’t realise it.” 2. “The number one starting point is always ‘tone comes from the fingers.’ If the person playing guitar doesn’t have a good tone, then they’ve failed out of the gate. Here, then, are the producer's 7 for producers and guitarists… 1. “Steve and I mixed it, it’s being mastered at Bernie Grundman’s, and they’re going on tour again, so there should be some commotion soon about the record.” “We recorded all the shows on their Asian tour, and since January we’ve been working on getting an album released,” he says. When MusicRadar spoke with Wurth, he was wrapping up another Vai project: a live album from Generation Axe, the all-star guitarist ensemble that Vai assembled with Tosin Abasi, Yngwie Malmsteen, Nuno Bettencourt, and Zakk Wylde. He manages and maintains a YouTube channel, Inside the Studio Workshop Series (opens in new tab), and in 2017, he presented a 90-minute course via (opens in new tab) entitled Fundamentals of Pro Audio Equipment. In addition to staying busy in the studio, he has an audio products company, which launched in 2016 with a 16-channel summing mixer, The Oracle (opens in new tab). Guns, Tony MacAlpine, Indigenous, and 2Cellos. Wurth’s discography includes a diverse range of artists ranging from Mary J.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |